Category Archives: Writing

Blogging Antithesis: Day 1

Blogging Antithesis: Day 1

I wasn’t supposed to start work on Antithesis book 3 until I finished Suave Rob 3, but as I sat down to write this afternoon I found that recent events had pushed me into a distinctly Joss-Kyle-ish headspace.

So, after fighting with things for a little while, I decided to roll with it, and I opened up my document full of notes and half-scenes, and read through a bit.

I’ve written the beginning of this book eight times now, only to discover, each time, that it wasn’t the beginning I was writing. One of them was the opener to book four. One was the closing scene of book 3. Others are all key scenes that will appear throughout book three.

The opening, though, kept eluding me, until, as I was reading through, I realized that I’d been forgetting a major part of the universe this whole time. A piece that I had sitting off to the side that needed to come into play.

Wound up being a short scene, but it feels like the right opening for the book–and, I got enough of it done that I might just be able to jump back to Suave Rob 3 tomorrow. We’ll see.

Opening word count today: 11494
Closing word count today: 12247

Blogging Book 3 (Antithesis/Mannix)

So, I’ve got a big book in front of me. One that I’ve been avoiding for years because, frankly, I’m afraid of it.

When I finished writing Free Will (soon to be The Vindicators), I was exhausted. Elated, happy, triumphant, yes, all of these. But exhausted, too. I’d never written anything so long, so complex, and so multifaceted. I needed a few days off, and I took them. And then I made my big mistake.
Continue reading Blogging Book 3 (Antithesis/Mannix)

The Write Stuff

If, like me, you love writing, you may have noticed that, when you get to a certain point, writing isn’t just about writing (if it ever was in the first place). It starts to eat your life. Ideas come faster than you can write them down, you start to accumulate rejection letters and/or low indie pub sales, and you really start to wonder if it’s worth it.

For a while, you can find encouragement through solidarity. Peers who know what you’re going through, because they’re going through it too. But it’s hard to actually find your way forward–mentors on the Internet are a dime a dozen, but good mentors are ones that have mastered the things you want to master, and they’re hard to find, because they’re usually busy doing that thing (or, alternately, they’re not very good teachers, since that’s a whole different skill set).

And it’s not just that way with craft. At a certain stage as a writer, you have to start learning writing as a business. You have to deal with taxes, you have to learn to structure your time, to decide which projects are worth taking on. If you self-publish or form your own company, you have to learn about packaging and subsidiary rights. And, while all that’s going on, you still have to find a way to write.

The trick to surviving this season of writing is to acquire tools and acquire them fast. And it is in that spirit that I am very VERY proud to be included in the kind of toolbox I wish I’d been able to find when I was first learning writing as a business.

The Write Stuff is a craft and business ebook bundle featuring books by writers who are both great teachers AND well-accomplished in their area of expertise. Vonda McIntyre (one of my favorite writers!), Kristine Kathryn Rusch, Judith Tarr, Doug Smith, Dean Wesley Smith, Chuck Wendig, Bob Meyer, Jerrold Mundis, and myself. You’ll learn about audiobook production, writing without an outline, writing fast, dealing with publishers, structuring a novel, writing fantasy, structuring your business, and loads, loads more (plus a 40% off coupon for Jutoh, a very well-put-together ebook authoring suite that runs everywhere, including on Linux and Android).

If you love writing, if you have dreams of making your voice heard, or even if you’re a little ways down the professional road, you’re going to find a LOT in this bundle you can add to your artistic and professional toolboxes (I’m finding loads in here). Give yourself the price of lunch, and dive in. Grab the tools, use them, and add your voice to the new golden age of fiction. And, if you want to, earmark a portion of the sale price for Girls Write Now or Mighty Writers.

What’s Next After Crudrat

Attention Girls and Boys, Androids and those whom labels don’t quite fit:

Crudrat is almost done. We’ve moved into the very final phases, which means that next week, the rest of the studio is gonna be spinning back up. Free Will is coming back. The Next 10k is coming back. And I get to get back to writing.

I gotta be honest, this is the part I’m most looking forward to. I had planned to do six books this year:

  • Avarice
    The sequel to Free Will, and the book that’s been intimidating the hell out of me for two years. I’ve got pieces of it done, but haven’t sat down and drawn the grand tapestry yet. That’s on June’s agenda. Time to put it to bed so I can get on to Antithesis Book 4.

  • The Auto Motive
    As you can see from the sidebar, this one’s been in progress for a good long while. It’s a YA Urban Fantasy story, almost comic-book in its approach and aesthetic. High adventure and high on the strangeness scale. There’s about three weeks work left to do on this one.
  • The Summer Town
    This is another YA adventure novel I’ve been noodling with for a good long while. Think Ray Bradbury meets Flannery O’Connor meets The Goonies. Like The Auto Motive, this one is actually well started–it has about a month’s left of work left in it before it’s ready for the betas.
  • Lantham #6
    Another one I’m dying to do this year. He Ain’t Heavy left you all on a bit of a ledge with regards to Rachael’s fate. This next book resolves that against the background of a bigger mystery. I’ve got three ideas for the big mystery in this book–I’ve just gotta pick one.
  • Occupant
    A no-holds-barred blood chiller terror/thriller…and that’s all I’m gonna say about it for now
  • Red Route One
    A science fiction pulse-pounder about the first Mars mission and the reality TV show that it’s based around–alluded to in Suave Rob and the forthcoming The Resurrection Junket, this one’s another standalone that’s set in the Antithesis universe right near the point where that timeline diverges from the real world.

And I’ve got a few more stacked up behind those for next year.
Now, the trick is, with nearly half the year gone: How much of that list can I get through in grand style?
Starting next Wednesday, I aim to find out.

Check back on May 1 for another big update, and your next podcast episode.
-Dan

Dealing In, Episode 11


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Welcome to the First of the Free Will/Next Ten Thousand Hours Feedback shows! This one is episode eleven of the Dealing In series of feedback shows, where I and several friends answer your emails and talk about whatever comes up. This time, I’m joined by Metamor City creator Chris Lester, my The Next Ten Thousand Hours cohost Kitty NicIaian, and composer Danny Schade. What do we talk about? An incomplete list, in roughly chronological order:
1) Introductions
2) Schadeys’ music
3) Physical types for Lantham and Joss Kyle
4) Meeting Caspar Van Dien
5) Heinlein’s politics
5) Where would you live on the moon?
6) What’s Earth like in the Antithesis Era, and what effect did the nuclear war have?
7) People living on the moon and its security implications
8) Silly Antithesis titles!
9) Eggs and food and the penises of birds
10) Feedback (finally!)
11) Computer Security in Antithesis
12) Quantum computing and cryptogrpahy
13) revolutionary cell networks and types of trust
14) codes vs cryptogrpahy
15) Alyssa Hartman, Catholicism, Suave Rob and Bi-Gendered Characters
16) Commercial availability of Free Will
17) Who are the best commercial audiobook companies?
18) The future of Metamor City
19) The NSA
20) Knitting needles as weapons

Released: Suave Rob’s Double-X Derring-Do

Sometimes you can’t help smiling a mile wide just typing an announcement, and this is one of those times (for me–at least I assume I’m the one typing. Yup. Okay, then, on with the show). Today I get to unveil to you my latest literary abomination, one that fulfills a lifelong dream to write a fun pulp sci-fi adventure story. A good short pulp needs a good long title, so here you go:

Suave Rob’s Double-X Derring-Do, a Short Novel of Long Odds.

One Surfboard. Two X-Chromosomes. All Man.

Climbing Olympus Mons put him on the map, winning a gold medal in asteroid jumping got him great press, and children everywhere tune into watch every time he skydives from a space station, but Suave Rob Suarez is just getting started. Together with his childhood hero and his stunt partner, he’s gonna stage the biggest daredevil stunt the universe has ever seen:

Surf a supernova. Or die trying.

Read a sample here, or get it now on your Kindle, Nook, or any other reader.

Tinker, Tailor, Topple, Die

So, you want to make your work–book, movie, sculpture, whatever–perfect, don’t you? You want it to shine. And you’re going to polish it, rewrite it, re-imagine it, and retcon it every chance you get? Or maybe you just can’t resist adding those few last-minute flourishes?

Well, you’re in good company. The impulse to tinker is universal. So universal, that some people make vast fortunes just so they’ll have the ability to tinker endlessly. People like, for example, George Lucas.
Continue reading Tinker, Tailor, Topple, Die

Playing Jazz With Words

You hear a lot of talk of “discovery writers” and “outliners” in the writing world. The “pantsers” and the “plotters,” respectively. It’s true that there are a lot of people that fall into both categories–including many of my friends–and human nature loves dichotomies, but I’ve never fit comfortably either, and I suspect I’m not alone.

Last night, I had occasion to have a long conversation with a new writer who’s vexed and confused by the options before him when it comes to writing process, and saying “you have to find your own way” only left him more despondent. I know that look–I’ve been there many times when faced with a new field of endeavor with so many options that at once feel constraining and non-specific. So, in the hope of letting those new writers who don’t comfortably fit a category know that they’re not alone, I’m going to describe my method.
Continue reading Playing Jazz With Words

Failing the Wikipedia Test

Writing fiction in the age of the Internet can be fraught for the author who values authenticity–particularly if you write historical or technical fiction. Since the glorious thing about writing fiction is that you essentially make shit up to entertain other people, there are a range of opinions about the technical rigor to which writers should aspire.

I’m one of those poor tortured souls who is a stickler for detail, to the point where I’m rarely able to meet my own standards when I write–but, let’s face it. If anyone wrote like that, they’d either write only in their area of historical specialty or after years of research. The trick with writing is to create a successful illusion, not a master’s thesis. Besides, the vast majority of readers aren’t the kind of obsessive compulsive pain in the ass that I am–a lucky thing!–so there’s a certain amount we authors can count on getting away with.

Still, I can’t help but think there’s some level of rigor that one ought to aspire to. Some minimal standard–particularly since the stories we professional liars tell often form people’s view of the past long after their high school and college history classes are long-forgotten–must surely be in order. Something that we can at least hold up to keep ourselves from being embarrassed at conventions when a fan calls us out on an obvious boneheaded anachronism?

There might just be one. Let’s call it “The Wikipedia Test.” Continue reading Failing the Wikipedia Test

Literary Studies, Anyone?

Disclaimer: What follows is a rant about something that can screw up the creative process. This post is more esoteric than is normal for this blog. It contains a lot of jargon, and talks a lot about academic politics and social history, and it won’t interest everybody. Don’t worry, though. It doesn’t signal a change of direction for the blog. I’ll be back on Monday with more stuff about contracts, stories, podcasting, and my general flavor of nutiness.

Last night on Dean Wesley Smith’s blog I made a snarky comment about the deleterious effect of a Literary Studies degree (or, in my case, 90% of a Lit degree) on creativity. The comment went something like this:

A Literary Studies course is the worst thing you can do for your creativity, other than bashing your skull in with a mallet while reciting the lyrics to “The Song That Never Ends”

Needless to say, this caused a minor row in the twitterverse among my fellow literati, and I received a few demands to justify myself (which is not easy to do on the best of days, let alone in 140 characters or less), so, in the name of entertainment, here goes, in no particular order:

Continue reading Literary Studies, Anyone?